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Art for Meditation - February 2017
Jacopo Carucci, known as Pontormo (Pontorme, 1494 – Florence, 1557), Visitation, around 1528-30, oil on board, cm 202 x 156, Carmignano, Italy, Prepositure of Saints Michael and Francis
Pontormo has set the meeting between Mary and Elizabeth in a dark city street, where some bare, off-scale buildings are visible. The darkness of the scene is pierced by the light that is reflected on the figures in the foreground, on the faces and especially on the drapery.
Art for Meditation - January 2017
Lorenzo Lotto (Venice, c. 1480 – Loreto, 1556), Recanati Annunciation, 1527, oil on canvas, 166 cm x 114 cm, Recanati, Civic Museum
The environment in which the scene described by Luke (1: 26-38) takes place is a small room, with a few everyday objects used by Mary, the young woman living in it. On the right side of the painting there’s the mighty and real (we can actually see his shadow on the floor) figure of the angel Gabriel, who almost seems to have glided through the beautiful arched entrance. Above, in the clouds, the figure of God, the one who chose Mary to make her become the Mother of the Lord, His Son Jesus, and the one who sent the angel.